Andy Pink

sound and music

A hot day.

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.tiger

Yesterday there was a British Council symposium on ‘community theatre’, which I spoke at. I discussed how we go about collecting and processing sound from the environment.

Today the director of the museum took us for brunch at The Carlton Hotel. This was a great morning but later, unfortunately, the air-conditioning has completely broken down at the Museum and temperatures are rising. This is serious!

The venue is haunted- in fact where I am sitting right now typing this, is the hot spot for appearences of the ghosts- it’s a side stairwell stage right. Naz, who is from the museum and is working with us has told me that he has actually seen the ghost.

Good show yesterday and we have just done our matinee today. The testi, which is the traditional urn at Turkish-Cypriot weddings, refused to smash despite two attempts.

Tonight is the final show.

http://www.andypink.co.uk

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We had our first public performance in Singapore last night. The show was well received.
There was a reception afterwards given by the British Council and the Museum. They have completely dealt with the problem of eating food and drinking whilst standing up. A plate that holds your glass, rather like an artists easel.
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Singapore

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This is the Singapore National Museum where Ringside is playing.

Day three in Singapore during the hottest February on record. We are in the final day of rehearsal of Ringside. As always there are challenges, not least of which was that the theatre completely flooded yesterday.
This was mopped away but unfortunately there is a lingering smell…..

There is much interest in our show from the national media and Mem was on breakfast television this morning. They are also making a documentary over the course of our rehearsals. There is a continuous feeling of being watched in Singapore anyway.

Smoking is only allowed outdoors in de-marked yellow boxes which I imagine will be coming to England soon.

I have heard the loud calls of many strange birds though I have been unable to see any of them. I will try recording them soon.

http://www.andypink.co.uk

I’m off to Singapore tomorrow where we play Ringside at the National Museum. Then Melbourne in the second week of March.

I will be keeping a diary of my journey here and will be making field recordings (though I don’t think Singapore has many of those) with my trusty Olympus LS10 recorder, which I will also post here.

So check back soon.

Bats

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‘Bats’

Today is a day about bats. Its just conspired that way. Gorgeous beautiful creatures of the night that make such wondrous sound. And so I post my ‘Elegy for Bats’ from 2007.

One summer in the South of France I had the joy of staying in a house of bats, and at dusk the rafters would come alive as hundreds of bats prepared to fly into the night.

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Downstairs

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‘Downstairs’

A childhood memory…..

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Subways

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‘Subways’

New York Summer 2008. My friend Isaac and I take a journey on the New York subway.

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The latest exhibition at the V&A looks interesting.

“Digital Design Sensation showcases the latest developments in digital and interactive design, from small, screen-based, graphics to large-scale interactive installations.”

An interesting comment I saw explained that such works do not have longevity like the great works of art of the past- the technology involved becomes obsolete. But the commentator compared this to the difference between film and theatre…….

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Random music

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The interesting thing about making so called stochastic or randomly generated music is it’s very difficult! Of course John Cage was the man and I know he must have really considered his art. 

The difficulty is in the making of the initial choices that will produce meaningful results. Of course today the computer is the tool of choice for this task and, after much research, I use a program called ACToolbox. Having tried the ‘plug and play’ variety I quickly felt that much more control was needed, which is kind of ironic!

But none of it is really random because the initial choices so affect the outcome. Of Imaginary Landscape no4 Cage said:

“It is thus possible to make a musical composition the continuity of which is free of individual taste and memory (psychology) and also of the literature and ‘traditions’ of the art. The sounds enter the time-space centered within themselves, unimpeded by the service to any abstraction, their 360 degrees of cricumference free for an infinite play of interpenetration. Value judgments are not in the nature of this work as regards either composition, performance, or listening. The idea of relation being absent, anything may happen. A ‘mistake’ is beside the point, for once anything happens it authentically is”

But one look at the score and you soon see all was not random:

In the composition for 12 radios, 24 performers, and director, two performers each operate radios whose kilocycle, amplitude, and timbre changes are notated. 

Now John might have generated the score using ‘The Book of Changes’ but as always the question is of the limits of control. Or should I say the subtlety of control.

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